Journal

A chronicle of people, places, happenings, and creations we admire.

ENRICO MARONE CINZANO AT QATAR MUSEUMS HOSTING ROSSANA ORLANDI'S RO'S PLASTIC PRIZE

Sustainable furniture designer Enrico Marone Cinzano has been selected as one of Rossana Orlando’s Ro Prize Finalists for 2022.

Floating Piers (Project for Lake Iseo) by Christo

Installation art icon and interventionist Christo has touched down in northern Italy to create the "Floating Piers" project on Lake Iseo.  Over 200,000 fabricated floating polyethylene cubes wrapped in his now signature golden ochre fabric allow visitors to walk across the lake to various shorefronts and a remote island called Monte Isola.  This project has been a long-time vision devised by Christo and his late wife and collaborator, Jeanne-Claude, who passed away in 2009.  This latest installation rivals his Central Park based "Gates" project from 2005 in size and scale, but is not without controversy; an Italian consumer group has accused the Bulgarian artist and his supporters of wasting public money to execute the project.

The Floating Piers project is on now until July 3rd.

Studio Bouroullec at Tel Aviv Museum of Art: 17 Screens

Studio Bouroullec is presenting 17 Screens at the Tel Aviv Museum of Art, the result of a research on materials and production (until end of March 2016).

The show incorporates interweaving sequences of modular elements made of ceramics, aluminium, glass, wooden branches and textile, held together by custom made connections and hanging systems.

Ronan and Erwan Bouroullec: 17 Screens

October 3, 2015- March 26, 2016


Garage Gorky Park by OMA / Rem Koolhaas

Garage Gorky Park, set to open Friday, June 12, is a result of a renovation of the abandoned 60's restaurant Vremena Goda (Seasons of the Year).  The concrete pavilion had laid dormant for over 20 years. Dutch architect Rem Koolhaas and his team at OMA (Office for Metropolitan Architecture) repurposed the 5,400m2 (55,000 sf) structure, creating exhibition galleries on two levels, a children's art center, shop, café, auditorium and staff offices. The design preserves original Soviet-era artifacts and elements (certainly a nod to adaptive reuse and sustainability) - including a large mosaic, original tiles and brick.  

The clever double-layer polycarbonate outer skin acts as a light filter with the 'party piece' being a pair of enormous vertically movable panels on either side of the building.

About the Garage Museum of Contemporary Art

Founded in 2008 by Dasha Zhukova, the institution is a place for people, art, and ideas to create history.

Through an extensive program of exhibitions, events, education, research, and publishing, the institution reflects on current developments in Russian and international culture, creating opportunities for public dialogue, as well as the production of new work and ideas in Moscow. At the center of all these activities is the Museum’s collection, which is the first archive in the country related to the development of Russian contemporary art from the 1950s through the present.

Garage Exhibitions spark engagement with art and culture while exploring issues of local and global relevance; Garage Education draws audiences of all ages through pioneering programs for both families and professionals; Garage Publishing makes major cultural texts available in Russian for the first time and innovates new publications related to Garage Archive, Exhibitions, and other activities; Garage Field Research invites practitioners to develop fresh perspectives on Russian art and culture; Garage Grants program supports young Russian artists and spearheads a range of activities that incorporate Russian artists into the global art community — all of which contribute to the Museum’s role as a multifaceted hub for arts and culture.

Garage is a non-profit project of The IRIS Foundation.-- ©2015 GMoCA

Photo Credits: 1-3, Vladimir Filonov / 4-6, OMA / 7-8, Nikolay Zverkov

The Month of March

A Recap of our discoveries in March.

Upcoming at MoMA: Björk Retrospective

Last night's party at MoMA to kick off the Björk retrospective (opening March 8th) was a heady mixture of art world cognizenti, designers, press, society mavens and those dozens of diehard fans and followers that came dressed in full costumes of their own creation.  Open bars were humming on all floors with friendly and attentive staff; bowls of beef jerky and deep fried potato chips were a welcome and imaginative offering for the evening.

Spanning from 1993's "Debut" after the breakup of the Sugarcubes to the present with her latest album, "Vulnicura", the retrospective covers (most) of her body of work, with the exception of, oddly, the soundtrack from "Dancer in the Dark".  The many (let's just say wacky) costumes and concepts exhibited spoke loudly to her commitment to pushing her ever-morphing envelope at the intersection of music, sound, fashion and film.  

Shown in a black-box felt volcano-lined viewing room, the short film "Black Lake", an ode to love, pain and lament, (presumably based on her breakup with artist Matthew Barney) filmed in and around Iceland's many volcanoes and caves, shows Björk at one point cracking open, bleeding blue lava to aching violins and heavy percussion.  In another viewing room, the extended film includes everything from "Debut" to "Biophilia", with arresting, beautiful and sometimes disturbing imagery that could never be accused of being derivative.

The retrospective runs from March 8-June 7, 2015

www.moma.org

Follow @bjork

Images ©2015 KoS